Ever since I can remember, I have thought of the sun as a distraction. In all its well meaningness the sun shines, as it was meant to, brightening every color and heightening all our senses. But for me, most days, I found it to be too much. Those glorious rays were overstimulating, just too bright. So on a day like today when the sky is lugubrious and gray, I am drawn to my easel to create. It is quite. The sun is not screaming colors at me.
Focus is easy to come by today. I have a sense of what I want to create. I have a sense of th emeotion within the painting-to-be. I understand why it is now that it comes forth in my mind. As I think about it many of my paintings are not based on the image as ina visualization but on the emotion within it. Or as I project my feeling into the art. Isn't that what seperates a picture from art. Art's soul (LOL) purpose IMHO is to make that emotional connection with a viewer. Not too long ago, while still in the self-doubt period of wondering if I was indeed an artist, I showed a piece of work to an acquaintence and she cried. At that moment, I overwhelmed by her reaction. It took me several years to really undestand the praise bestowed on me.
So today, there is a mother and child to be painted. I feel trust and the potential hidden somewhere in the body of the infant. There is a mother enamored by the gift she holds. After, hearing the first inhalation from her baby, she basks in the miracle of life. I , as probably all people do, have favorite colors I gravitate to. So palette selection is usually fast, familiar and comfortable. And most probably it excludes reds and pinks.
I don't do much more planning than that. I go with the flow on paper or canvas. This morning,I felt like making small boxes or pixels turned on point. The entire piece became focused on color value. It is a very vivid piece as the purple and yellow gold work well together.
Soon I'll get this one framed and it will be the first, on my way to the 14 frames.